4.5 The Best Error You Can Make: Brent Hayes Edwards and Jean-Baptiste Naudy on Claude McKay (SW)

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What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay’s 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay’s lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France’s own imperial history. That history, along with McKay’s complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance’s most celebrated writers. Be sure to check out this episode’s special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste!

Mentioned in this episode:

Amiable with Big Teeth, Claude McKay (1941)
Les Brebis Noirs de Dieu, Claude McKay, Trans. Jean-Baptiste Naudy (2021)
The Practice of Diaspora, Brent Edwards Hayes (2003)
A Long Way from Home, Claude McKay (1937)
The Price of the Ticket: Collected Nonfiction 1948-1985, James Baldwin (1985)
Banjo, Claude McKay (1929)
Home to Harlem, Claude McKay (1928)
Romance in Marseille, Claude McKay (1929)
The Souls of Black Folk, W.E.B. Du Bois’s (1903)
Their Eyes Were Watching God, Zora Neale Hurston (1937)
Mais leurs yeux dardaient sur Dieu, Zora Neale Hurston, Trans. Sika Fakambi
Passing, Nella Larsen (1929)
Quicksand, Nella Larsen (1928)
Cane, Jean Toomer (1923)
Quartier Noir, Claude McKay, Trans. Louis Guilloux (1932)
Dictionary of Untranslatables, Ed. Barbara Cassin et al. (2014)
Phantom Africa, Michel Leiris, Trans. Brent Hayes Edwards (2017)
The Wretched of the Earth, Frantz Fanon (1961)

Listen and read:

Audio: The Best Error You Can Make

Transcript: 4.5 The Best Error You Can Make

We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí – Novel Dialogue

Álvaro Enrigue and critic Maia Gil’Adí begin their conversation considering translation as a living process, one that is internal to the novel form. Álvaro, author of the trippy You Dreamed of Empires (Riverhead, 2024), explains how the opening letter to his translator Natasha mirrors the letter to his editor, Teresa, in Spanish, and how both letters become part of the fiction. Fitting for a novel that crosses Nahua and Mayan, Moctezuma and Cortés, Mexican history and the glam rock band T. Rex. The English translation—which Álvaro calls the book of Natasha—is longer, filled with changes and additions and revisions, and so translation becomes “another life for the book.” From the living book to its contents, Maia asks how You Dreamed of Empires blends the gorgeous and the grotesque, slapstick humor and extreme violence, historical detail and mischievous metafictional departures. Álvaro links his work to Season 9’s theme of TECH by pointing out the novel’s longstanding use as a tool to laugh about the powerful, to tell them that what they’re saying is not true, and to articulate politics through contradiction and humor. After discussing the encounter of Moctezuma and Cortés (or really, of their translators, including a very magical bite of cactus) as the moment that changes everything in history, Álvaro makes a surprising historical swerve in his answer to this season’s signature question. Mentions:Álvaro Enrigue, Sudden Death, You Dreamed of Empires, Now I SurrenderNahuaNatasha WimmerTeresa Ariño, AnagramaSergio Pitol, Enrique Vila-Matas, Javier Marías, Roberto BolañoMiguel de Cervantes, Don Quixote; Laurence Sterne; Jonathan Swift, Gulliver’s TravelsOctavio Paz saying New Spain was a kingdom in One Earth, Four or Five Worlds: Reflections on Contemporary History, translated by Helen R. Lane.Edward SaidLèse-majestéT. Rex, “Monolith”Gonzalo GuerreroThe Colegio de Santa Cruz de TlatelolcoJosé Emilio PachecoMichel FoucaultMichelangeloSaint Paul, Epistle to the RomansNoam ChomskyTlaxcalas Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí
  2. 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)
  3. 9.4 “That In Between Time,” Fernanda Trías and Heather Cleary (MAT)
  4. 9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)
  5. 9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper
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