4.4 “A short, sharp punch to the face”: José Revueltas’ The Hole (El Apando) with Alia Trabucco Zerán and Sophie Hughes (CH)

Alia Trabucco Zerán, award-winning author of The Remainder (La Resta), and Women Who Kill (Las Homicidas),and Sophie Hughes, Alia’s translator and finalist for the International Booker Prize talk with Novel Dialogue host Chris Holmes about a novel that has shaped their lives as writers and thinkers: The Hole by José Revueltas. Sophie and Alia discuss how The Hole, written while Revueltas was held in the infamous Lecumberri prison, purposefully makes readers feel lost in a small, confined space. Reading a section from her co-translation of The Hole, published in 1969 as El Apando, Sophie considers how the novel’s intense feelings of confinement and limitation prompt a contemplation of what exactly defines freedom. The conversation turns on how the novel does not spare you from having “been victim of a violent book yourself,” and that literature which confronts our shared inhumanity toward prisoners should make you feel uncomfortable. In a series of thoughtful exchanges, the novelist and her translator confront the difficulties of preserving the immersiveness of the novel’s affect while being attuned to the precise choices and sacrifices of drawing out the novel in English. The episode ends with our season’s signature question, and a wonderful example of untranslatable Chilean Spanish from Alia.

Mentioned in this episode:

Hurricane Season, Fernanda Melchor, trans. Sophie Hughes (2020)
Paradais, Fernanda Melchor, trans. Sophie Hughes (2022)
The Hole, José Revueltas, trans. Sophie Hughes and Amanda Hopkinson (1969/2018)
El Luto Humano(The Stone Knife), José Revueltas (1990)
Amanda Hopkinson, translator
Lecumberri Prison, “The Black Palace”

Listen and Read:

Audio: “A short, sharp punch to the face”

Transcript 4.4 “A short, sharp punch to the face”

11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem – Novel Dialogue

Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform).  We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.MentionsMarx – base-superstructure modelBruno Latour – actor-network theorySophie Bishop – Influencer CreepAndrew de Waard –  Derivative MediaPierre Bourdieu – The Rules of Art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  2. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  3. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  4. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  5. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)