4.4 “A short, sharp punch to the face”: José Revueltas’ The Hole (El Apando) with Alia Trabucco Zerán and Sophie Hughes (CH)

Alia Trabucco Zerán, award-winning author of The Remainder (La Resta), and Women Who Kill (Las Homicidas),and Sophie Hughes, Alia’s translator and finalist for the International Booker Prize talk with Novel Dialogue host Chris Holmes about a novel that has shaped their lives as writers and thinkers: The Hole by José Revueltas. Sophie and Alia discuss how The Hole, written while Revueltas was held in the infamous Lecumberri prison, purposefully makes readers feel lost in a small, confined space. Reading a section from her co-translation of The Hole, published in 1969 as El Apando, Sophie considers how the novel’s intense feelings of confinement and limitation prompt a contemplation of what exactly defines freedom. The conversation turns on how the novel does not spare you from having “been victim of a violent book yourself,” and that literature which confronts our shared inhumanity toward prisoners should make you feel uncomfortable. In a series of thoughtful exchanges, the novelist and her translator confront the difficulties of preserving the immersiveness of the novel’s affect while being attuned to the precise choices and sacrifices of drawing out the novel in English. The episode ends with our season’s signature question, and a wonderful example of untranslatable Chilean Spanish from Alia.

Mentioned in this episode:

Hurricane SeasonFernanda Melchor, trans. Sophie Hughes (2020)
Paradais, Fernanda Melchor, trans. Sophie Hughes (2022)
The Hole, José Revueltas, trans. Sophie Hughes and Amanda Hopkinson (1969/2018)
El Luto Humano(The Stone Knife), José Revueltas (1990)
Amanda Hopkinson, translator
Lecumberri Prison, “The Black Palace”

Listen and Read:

Audio: “A short, sharp punch to the face”

Transcript 4.4 “A short, sharp punch to the face”

10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH) Novel Dialogue

Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to real things, the more fictional it becomes.” How to describe such a complicated novel? Sarah offers this gem: “It’s as if Philip Roth were less cancellable and wrote a murder mystery,” a line that results in a poignant conversation about what it means to be Jewish and socially striving in Chicago in middle of the 20th century and what it means to be a cultural outsider, “just slightly outside of the circle.” Peter brings the conversation to a close with a memory of going to the University of Tish.Mentions: Reverend Hightower appears in William Faulkner’s Light in August Irv “Kup” and Essie Kupcinet were Karyn “Cookie” Kupcinet’s parents An Edna O’Brien story appears in Andre Dubus’s Dancing After Hours Malcolm Lowry’s Under the Volcano Phyllis Diller at the Palmer House Bette Howland’s line about Chicago being “the raw materials for a city” appears in Blue in Chicago Alberto Paniagua Philip Roth Tish O’Dowd Ezekiel’s Floaters Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  2. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  3. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  4. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí
  5. 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)