WHERE NOVELISTS SPEAK WITH CRITICS
ABOUT HOW NOVELS ARE MADE — AND WHAT TO MAKE OF THEM
9.6 We Better Laugh About It: รlvaro Enrigue and Maia GilโAdรญ
รlvaro Enrigue and critic Maia GilโAdรญ begin their conversation considering translation as a living process, one that is internal to the novel form. รlvaro, author of the trippy You Dreamed of Empires, explains how the openingโฆ
9.5 Who Owns These Tools?: Vauhini Vara and Aarthi Vadde (SW)
In an essay about her recent book Searches, a genre-bending chronicle of the deeply personal ways we use the internet and the uncanny ways it uses us, Vauhini Vara admits that several reviewers seemed toโฆ
9.4 โThat In Between Time:โ Fernanda Trรญas and Heather Cleary (MAT)
Fernanda Trรญasโs Pink Slime (Mugre rosa) was first published in Spanish in October 2020, several months into a global pandemic that had bent our world into something uncannily similar to the one imagined in theโฆ
9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)
In Season 9, Novel Dialogue set out to find the Venn diagram intersection of tech and fictionโonly to realize that Kim Stanley Robinson had staked his claim on the territory decades ago. With influential seriesโฆ
9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper (RB)
What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentationโcan it be a generative source of imaginative chaos? Few are as qualified toโฆ
9.1 Novels are Like Elephants: Ken Liu and Rose Casey (SW)
Itโs a bit surprising to hear a writer known for building worlds that incorporate deep historical research and elaborate technological details extol the virtues of play, but Ken Liu tells critic Rose Casey and hostโฆ
9.0 Writing Against the System (EH, CH)
We kick off Season 9: TECH by talking with our very own Aarthi Vadde, the E. Blake Byrne Associate Professor of English at Duke University. Hosts and co-producers Chris Holmes and Emily Hyde ask Aarthiโฆ


