9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

In Season 9, Novel Dialogue set out to find the Venn diagram intersection of tech and fiction—only to realize that Kim Stanley Robinson had staked his claim on the territory decades ago. With influential series on California, on the terraforming of Mars, and on human civilization as reshaped by rising tides, KSR has established a conceptual space as dedicated to sustainability as his own beloved Village Homes in Davis, California.

All of that, though, only prepared the ground for Ministry for the Future, his 2020 vision of a sustained governmental and scientific rethinking of humanity’s fossil-burning, earth-warming ways. In only five years, it may have become the most influential work of climate fiction ever—perhaps right up there with Uncle Tom’s Cabin in its thoroughly shocking ability to jump into the political fray.

Flanked by Novel Dialogue’s John Plotz, KSR’s friend and ally Elizabeth Carolyn Miller (celebrated eco-critic and UC Davis professor) asks him to reflect on the book’s impact. He brushes aside the doom and gloom of tech bros forecasting the death of our planet and hence the necessity of a flight to Mars: humans are not one of the species doomed to extinction by our reckless combustion of the biosphere. However, survival is not the same as thriving. The way we are headed now, “the crash of civilization is very bad. And ignoring it…is not going to work.”

Pact for the Future
COP 26 (2021 United Nations Climate Change Conference)
COP 30 (where KSR will be a UN rep….)
Planetary boundaries J. Rockstrom (et. al.)
Charles MacKay, Extraordinary Popular Delusions and the Madness of Crowds
Paris Agreement
Don’t Look Up
Tobias Menely, The Animal Claim: Sensibility and the Creaturely Voice
Mary Shelley, Frankenstein; or, The Modern Prometheus (1818)

Audio: Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

Transcript: 9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB) – Novel Dialogue

In this episode, novelist Imbolo Mbue and critic Sarah Dimick dive into the literary ecosystem from an author’s perspective. Imbolo recalls her formative experiences in public libraries when she first emigrated from Cameroon to the United States, and how her encounters with American literature, especially Oprah’s Book Club picks, shaped her sense of literary possibility. Imbolo’s first novel, Behold the Dreamers, was itself an Oprah’s Book Club selection. In a conversation that moves across Imbolo’s career, from Behold the Dreamers to How Beautiful We Were to the newly released Every Story Is a Love Story, Imbolo and Sarah probe multiple dimensions of the literary ecosystem. They take up networks of literary production: how Imbolo writes both with and against readers’ expectations and desires; how her reading shapes her writing, particularly the memoirs of forgiveness (or the lack thereof) that informed Every Story Is a Love Story; the editorial pressures against which she has been glad to stand her ground, and the ones that have shaped her work for (in her assessment) the better, including a critical intervention from Random House’s Andy Ward that moved Every Story is a Love Story away from punishment and toward the urgent if unsexy problem of forgiveness. They also address what Sarah suggests is another unity across Imbolo’s fiction, in addition to a formal and thematic interest in aftermath: namely, the energy infrastructures—oil, transit, cars—that allow characters to move forward through the world even as they enact extractive harm. Mentions:Oprah's Book ClubNgũgĩ wa Thiong'oChinua AchebeToni MorrisonJonathan FranzenJunot DíazSalman Rushdie's Knife: Meditations After an Attempted MurderMichelle Obama's BecomingYiyun Li's Things in Nature Merely GrowRoxane Gay, "Why I Can’t Forgive Dylann Roof"Random House's Andy WardVerdi’s AidaArundhati Roy's Mother Mary Comes to Me Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB)
  2. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  3. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  4. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  5. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)

Panepinto, Lauren. Cover design. The Ministry for the Future, Kim Stanley Robinson, Orbit, 2020. Front cover.