9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

In Season 9, Novel Dialogue set out to find the Venn diagram intersection of tech and fiction—only to realize that Kim Stanley Robinson had staked his claim on the territory decades ago. With influential series on California, on the terraforming of Mars, and on human civilization as reshaped by rising tides, KSR has established a conceptual space as dedicated to sustainability as his own beloved Village Homes in Davis, California.

All of that, though, only prepared the ground for Ministry for the Future, his 2020 vision of a sustained governmental and scientific rethinking of humanity’s fossil-burning, earth-warming ways. In only five years, it may have become the most influential work of climate fiction ever—perhaps right up there with Uncle Tom’s Cabin in its thoroughly shocking ability to jump into the political fray.

Flanked by Novel Dialogue’s John Plotz, KSR’s friend and ally Elizabeth Carolyn Miller (celebrated eco-critic and UC Davis professor) asks him to reflect on the book’s impact. He brushes aside the doom and gloom of tech bros forecasting the death of our planet and hence the necessity of a flight to Mars: humans are not one of the species doomed to extinction by our reckless combustion of the biosphere. However, survival is not the same as thriving. The way we are headed now, “the crash of civilization is very bad. And ignoring it…is not going to work.”

Pact for the Future
COP 26 (2021 United Nations Climate Change Conference)
COP 30 (where KSR will be a UN rep….)
Planetary boundaries J. Rockstrom (et. al.)
Charles MacKay, Extraordinary Popular Delusions and the Madness of Crowds
Paris Agreement
Don’t Look Up
Tobias MenelyThe Animal Claim: Sensibility and the Creaturely Voice
Mary Shelley, Frankenstein; or, The Modern Prometheus (1818)

Audio: Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

Transcript: 9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)

10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT) Novel Dialogue

“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event. As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan’s choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan’s frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked. Mentioned in this episode: About Baghdad The Baghdad Eucharist Mahmoud Darwish, In the Presence of Absence Darwish’s “Memory for Forgetfulness” (on nisyān) The Book of Collateral Damage Elias Khoury and the use of dialect in contemporary Arabic fiction Quebecois literature Breaking Bad Um Kulthoum Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  2. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  3. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  4. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  5. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)

Panepinto, Lauren. Cover design. The Ministry for the Future, Kim Stanley Robinson, Orbit, 2020. Front cover.