9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper (RB)

What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentation—can it be a generative source of imaginative chaos? Few are as qualified to address these questions as Lauren Beukes, whose simultaneous embrace of genres from science fiction to crime to horror and refusal to abide within their borders—what she calls her “Big Fuck You Energy”—has rendered her, by her own account, “basically unshelvable.” Beukes is joined by crime fiction scholar (and novelist) Andrew Pepper of Queen’s University Belfast for a conversation that dances across her oeuvre’s many genres. They delve into how Beukes first encountered genre through the allegories that writers used to navigate the apartheid state of South Africa; how Beukes’ experiences of femicidal violence and police apathy inspired her work in genre-bent crime (“At least in novels I get to have justice,” she tells us); the inflection of dystopia from different global perspectives; and the role of speculative fiction in helping clarify political enemies in an age of obfuscation. Pepper and Beukes also think about genre in more practical terms, from the logistics of keeping track of plotlines when crafting time travel or multiverse novels to what it means to be a “high concept” author in a market designed for distracted audiences.

Lauren Beukes, Moxyland, Zoo City, The Shining Girls (and AppleTV adaptation), Broken Monsters, Bridge, Afterland
Margaret Atwood and speculative fiction
China Miéville and the New Weird
Kazuo Ishiguro
Andrew Bucklan, The Ugly Noo Noo
Lauren Berlant
Ivy Pochoda, These Women
Danya Kukafka, Notes on an Execution
Hannibal Lecter
Crooked and Obscene
Bret Easton Ellis, American Psycho
Charles Dickens, Great Expectations
Rick and Morty
Spider-Man: Into the Spider-Verse
Everything Everywhere All At Once
Doctor Who
E.L. Doctorow
Plotters vs. Pantsers
Severance
Nnedi Okorafor
Rebecca Solnit, Hope in the Dark
A.K. Blakemore, The Glutton

Audio: Monstrous Dreaming: Lauren Beukes and Andrew Pepper (RB)

Transcript: 9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper (RB)

10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT) Novel Dialogue

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer’s relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan’s choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan’s training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer’s notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can’t Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  2. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  3. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  4. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  5. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí

Cover design. Bridge, Lauren Beukes, Penguin Books Ltd, 2024. Front cover.

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