6.4 “We All Relate to Each Other’s Dystopias”: A Discussion with Shehan Karunatilaka and Sangeeta Ray (CH)

Shehan Karunatilaka’s The Seven Moons of Maali Almeida (Norton, 2022), which won the Booker Prize in 2022, is a thriller that begins in the afterlife, an uproarious murder mystery set amid the tragedies of Sri Lanka’s long civil war. Its protagonist, a war photographer, has become a ghost with just seven moons to find his killer and give his life’s work meaning. This is a historical novel that bends and twists genre and narrative into wondrous and disorienting knots and makes space for the cacophony of ghostly voices of those killed and disappeared in Sri Lanka. Shehan notes that if anything survives the death of your body, it’s probably the voice in your head, and the voice in his head speaks in the second person.

Moving from philosophy to the politics of fiction, Professor Sangeeta Ray, author of En-Gendering India: Woman and Nation in Colonial and Postcolonial Narratives (Duke), prompts Shehan to think about Sri Lankan literature’s rise on the global stage, and Shehan makes the case for fiction standing in for the missing records and histories of the dead, lost, and disappeared in a prolonged time of war. The conversation takes us to the surprise Sri Lankan win in the Cricket World Cup of 1996, the role of queer desire in a novel about war tragedies, and whether any story about the Sri Lankan civil war can be optimistic. We end with a signature question that links Shehan and a previous guest, the Argentinian novelist Mariana Enríquez, in their shared (and spooky) writing inspiration.

Salman Rushdie, Midnight’s Children
Mohammed Hanif, A Case of Exploding Mangoes
Shehan Karunatilaka, The Legend of Pradeep Matthew
Kevin Liu
Ted Chiang
1996 Cricket World Cup
Michael Ondaatje, The English Patient
Romesh Gunesekera
Yasmine Gooneratne
Shyam Selvadurai
A. Sivanandan

Audio: “We All Relate to Each Other’s Dystopias”

Transcript: 6.4 “We All Relate to Each Other’s Dystopias”

11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem – Novel Dialogue

Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform).  We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.MentionsMarx – base-superstructure modelBruno Latour – actor-network theorySophie Bishop – Influencer CreepAndrew de Waard –  Derivative MediaPierre Bourdieu – The Rules of Art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  2. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  3. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  4. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  5. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)