5.2 Writing the Counter-book: Joshua Cohen with Eugene Sheppard (JP)

Eugene Sheppard joins his Brandeis colleague John Plotz to speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world’s worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn’t concern them?

Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel’s past and present Prime Minister Bibi)  landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel.

With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze’ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion….

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Mentioned in this episode:

Zionist and ethnonationalist Ze’ev Jabotinksy (1880-1940): “We must eliminate the Diaspora or the Diaspora will eliminate us.“

Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere “Every book must contain its counter-book.”

Slavoj Zizek makes the case that everything is political including the choice not to have a politics.

Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom’s 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt.

“Shoah Religion” is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban’s famous quip “There’s no business like Shoah business“)

Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat.

Leon Feuchtwanger

“”There’s hope but not for us” Joshua (subtly) quotes a line of Kafka’s that Walter Benjamin (in „Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod (“Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.”)

Yitzhak La’or  “you ever want a poem to become real”

Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss.

Philip Roth, The Ghost Writer

Listen and read:

Audio: Writing the Counter-book

Transcript: 5.2 Writing the Counter-book

11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem – Novel Dialogue

Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform).  We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.MentionsMarx – base-superstructure modelBruno Latour – actor-network theorySophie Bishop – Influencer CreepAndrew de Waard –  Derivative MediaPierre Bourdieu – The Rules of Art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

1. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem 31:19
2. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans 38:10
3. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT) 43:59
4. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT) 39:55
5. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH) 37:55