5.3 It’s on The Illabus: A Discussion with Jean-Christophe Cloutier and John Jennings (SW)

John Jennings—Hugo Award winner, New York Times bestselling author, curator, scholar, and Artist—is keenly aware that in adapting novels for the graphic format, his decisions turn what has only been imagined into facts drawn on the page. In this conversation with critic, translator, and teacher of a creative course on the art of making comics, Jean-Christophe Cloutier, Jennings explores how he makes those decisions that range from the design of endpapers to selecting a character’s skin tone with the ultimate aim of championing Black culture and Black comics. Given that Jennings has just entered the Marvel Universe with the debut of Silver Surfer: Ghost Light, the timing is right to reflect on the pressures and pleasures of adapting beloved stories for a contemporary audience. Jennings is both teacher and student of comics’ powerful lessons, and lucky for listeners, his course comes with an illustrated syllabus, aka illabus. In the podcast’s first ever episode about graphic novels, Jennings and Cloutier talk comic book history, the power of collaboration, and the importance of long showers.

Mentioned in this Episode:

By John Jennings:

Black Kirby: In Search of the MotherBoxx Connection, John Jennings and Stacey Robinson (2015)

The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, Edited by Frances Gateward and John Jennings (2016)

Kindred, Octavia Butler, Adapted byDamian Duffy and John Jennings (2018)

Parable of the Sower, Octavia Butler, Adapted byDamian Duffy and John Jennings (2021)

After the Rain, Nnedi Okorafor, Adapted by John Jennings and David Brame (2021)

Box of Bones: Book One, Ayize Jama Everett and John Jennings (2021)

Silver Surfer: Ghost Light, John Jennings and Valentine De Landro (2023)

Also mentioned:

Megascope, Curated by John Jennings

Understanding Comics: The Invisible Art, Scott McCloud (1993)

Comics, Comix & Graphic Novels: A History of Comic Art, Roger Sabin (1996)

Outside the Box: Interviews with Contemporary Cartoonists, Hillary L. Chute (2014)

Maus, Art Spiegelman (1980-1991; complete version 1996)

Unveiling Visions: The Alchemy of the Black Imagination, The Schomberg Center for Research in Black Culture (2015-2016)

Barry Lyndon, Dir. Stanley Kubrick (1975)

The Silver Surfer: And Who Shall Mourn for Him? Stan Lee, Howard Purcell, et al. (1969)

Kitty Pryde and Wolverine, Chris Claremont and Al Milgrom (1984-1985)

The Seven Beauties of Science Fiction, Istvan Csicsery-Ronay (2011)

“Red Dirt Witch,” in How Long ‘til Black Future Month? N.K. Jemisen (2018)

To learn more about the comic artists Jennings discusses, including Will Eisner, Jack Kirby, Winsor McCay, Frank Miller, and Charles Schulz, see Jeremy Dauber’s American Comics: A History (2021) and Thierry Smolderen’s The Origins of Comics (2014).

Listen and Read:

Audio: It’s on the Illabus

Transcript: 5.3 It’s on the Illabus

10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH) Novel Dialogue

Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to real things, the more fictional it becomes.” How to describe such a complicated novel? Sarah offers this gem: “It’s as if Philip Roth were less cancellable and wrote a murder mystery,” a line that results in a poignant conversation about what it means to be Jewish and socially striving in Chicago in middle of the 20th century and what it means to be a cultural outsider, “just slightly outside of the circle.” Peter brings the conversation to a close with a memory of going to the University of Tish.Mentions: Reverend Hightower appears in William Faulkner’s Light in August Irv “Kup” and Essie Kupcinet were Karyn “Cookie” Kupcinet’s parents An Edna O’Brien story appears in Andre Dubus’s Dancing After Hours Malcolm Lowry’s Under the Volcano Phyllis Diller at the Palmer House Bette Howland’s line about Chicago being “the raw materials for a city” appears in Blue in Chicago Alberto Paniagua Philip Roth Tish O’Dowd Ezekiel’s Floaters Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  2. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  3. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  4. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí
  5. 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)