8.2 To gallop again and again into failure: Kaveh Akbar and Pardis Dabashi (SW)

An unforgettable horse gallops through the pages of Kaveh Akbar’s best-selling novel Martyr! (2024), but it is a figurative hastening toward failure and the limitations of language that Akbar discusses with critic Pardis Dabashi. In their conversation, Kaveh considers writing both as an escape from the confines of the self and as a vehicle for expressing its contradictions. Together they explore which forms might best capture the ambivalence and polyphony of the human mind, the contours of Iranian American identity, and the spiritual beauty of everyday existence. Whether discussing neurolinguistics or the affordances of poetry, Kaveh contemplates the limits of language: how can we write what we think, when we struggle to know what—or how—we think? This conversation goes deep into the psyche in order to reach far beyond it. Even Kaveh’s deeply personal response to the signature question demonstrates that the places farthest away from us may also be found within.

By Kaveh Akbar:
Martyr!
The Penguin Book of Spiritual Verse (editor)
Calling a Wolf a Wolf

Also mentioned:
My Uncle Napoleon
To the Lighthouse
Ars Poetica
Ferdowsi
The Palm-Wine Drinkard and My Life in the Bush of Ghosts
The Tempest

Audio: To gallop again and again into failure: Kaveh Akbar and Pardis Dabashi (SW)

Transcript: 8.2 To gallop again and again into failure: Kaveh Akbar and Pardis Dabashi (SW)

11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB) – Novel Dialogue

In this episode, novelist Imbolo Mbue and critic Sarah Dimick dive into the literary ecosystem from an author’s perspective. Imbolo recalls her formative experiences in public libraries when she first emigrated from Cameroon to the United States, and how her encounters with American literature, especially Oprah’s Book Club picks, shaped her sense of literary possibility. Imbolo’s first novel, Behold the Dreamers, was itself an Oprah’s Book Club selection. In a conversation that moves across Imbolo’s career, from Behold the Dreamers to How Beautiful We Were to the newly released Every Story Is a Love Story, Imbolo and Sarah probe multiple dimensions of the literary ecosystem. They take up networks of literary production: how Imbolo writes both with and against readers’ expectations and desires; how her reading shapes her writing, particularly the memoirs of forgiveness (or the lack thereof) that informed Every Story Is a Love Story; the editorial pressures against which she has been glad to stand her ground, and the ones that have shaped her work for (in her assessment) the better, including a critical intervention from Random House’s Andy Ward that moved Every Story is a Love Story away from punishment and toward the urgent if unsexy problem of forgiveness. They also address what Sarah suggests is another unity across Imbolo’s fiction, in addition to a formal and thematic interest in aftermath: namely, the energy infrastructures—oil, transit, cars—that allow characters to move forward through the world even as they enact extractive harm. Mentions:Oprah's Book ClubNgũgĩ wa Thiong'oChinua AchebeToni MorrisonJonathan FranzenJunot DíazSalman Rushdie's Knife: Meditations After an Attempted MurderMichelle Obama's BecomingYiyun Li's Things in Nature Merely GrowRoxane Gay, "Why I Can’t Forgive Dylann Roof"Random House's Andy WardVerdi’s AidaArundhati Roy's Mother Mary Comes to Me Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB)
  2. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  3. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  4. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  5. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)

Huang, Linda. Cover design. Martyr!, Kaveh Akbar, Alfred A. Knopf, 2024. Front cover.