8.3 Aspire to Magic but End Up With Madness: Adam Ehrlich Sachs speaks with Sunny Yudkoff (JP)

What happens when a novelist wants “nonsense and joy” but his characters are destined for a Central European sanatorium? How does the abecedarian form (i.e. organized not chronologically or sequentially but alphabetically) insist on order, yet also embrace absurdity? Here to ponder such questions with host John Plotz are University of Wisconsin–Madison’s Sunny Yudkoff (last heard on ND speaking with Sheila Heti) and Adam Ehrlich Sachs, author of Inherited Disorders, The Organs of Sense, and the recently published Gretel and the Great War. Sachs has fallen under the spell of late Habsburg Vienna, where the polymath Ludwig Wittgenstein struggled to make sense of Boltzmann’s physics, Arnold Schoenberg read the acerbic journalist Karl Kraus, and everyone, Sachs suspects, was reading Grimms’ Fairy Tales, searching for the feeling of inevitability only narrative closure can provide. Beneath his OULIPO-like attachment to arbitrary orders and word-games, though, Sachs admits to a desire for chaos.

Thomas Bernhard, later 20th century Austrian experimental novelist
Heinrich von Kleist, “Michael Kohlhass” Romantic-era German writer
Italo Calvino, If on a Winter’s Night a Traveler
OULIPO, home of French literary experimentalists like Perec and Raymond Queneau
Georges Perec’s most famous experiment is Life: A User’s Manual (although John is devoted to “W: or the Memory of Childhood”)
Dr. Seuss, On Beyond Zebra! (ignore John calling the author Dr Scary, which was a scary mistake…)
Marcel Proust: was he a worldbuilder and fantasist, as Nabokov says or, as Doris Lessing claims, principally an anatomist of French social structures, a second Zola?
Franz Kafka is unafraid of turning his character into a bug in a story’s first sentence.
Virginia Woolf in Mrs. Dalloway offers the reader a mad (Septimus) and a sane (Mrs. Dalloway herself) version of stream of consciousness: how different are they?
Cézanne, for example The Fisherman (Fantastic Scene)
The Pointillism of painters like Georges Seurat

Audio: Aspire to Magic but End Up With Madness: Adam Ehrlich Sachs speaks with Sunny Yudkoff (JP)

Transcript: 8.3 Aspire to Magic but End Up With Madness: Adam Ehrlich Sachs speaks with Sunny Yudkoff (JP)

10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT) Novel Dialogue

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer’s relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan’s choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan’s training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer’s notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can’t Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  2. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  3. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  4. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  5. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí

Merto, Alex. Cover design. Gretel and the Great War, Adam Ehrlich Sachs, Farrar, Straus and Giroux, 2024. Front cover.