7.5 Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

Building parallels between technology and the human imagination, Masande Ntshanga’s conversation with Magalí Armillas-Tiseyra explains how cities are like machines and how South African history resembles some of the most sinister versions of techno-futurism. Masande is the author of two novels: The Reactive, winner of a Betty Trask Award in 2018, and Triangulum, nominated for the 2020 Nommo Awards for Best Novel in 2020 by the African Speculative Fiction Society. His responses to Magalí’s questions interweave autobiography and history, showing how when you venture into “underwritten spaces” in South Africa, realism starts to seem like speculation. Masande moves from playing bootleg Nintendo and hacking Lego sets in Ciskei, a “homeland” under the apartheid government’s Bantustan system, to data mining and novel writing in the global cities of Cape Town and Johannesburg. All the while, technology is never something “we’re resigned to experiencing” and “endorsing” in fiction—it can be a medium of contemplation as well as conquest. Masande and Magalí are also interested in the queer intimacies of young people busy forming their own “micro-tribes.” Especially young people who are reading the global phenomenon that is Stephen King by moonlight, when they might be just a little too young for it.

Mentioned in this episode:

Masande Ntshanga, The Reactive, Triangulum, and the short story “Space”
Samuel R. Delany, Equinox
“Hauntology,” from Jacques Derrida in Spectres of Marx
Ciskei
Masande Ntshanga’s essay “Technologies of Conquest” in The Creative Arts: On Practice, Making, and Meaning (Dryad Press, 2024)
Stephen King, The Dark Tower I: The Gunslinger
Bonus mention: Lost Libraries, Burnt Archives, an edited volume of short stories, artworks, poems and essays that engage with the tragic destruction of the African Studies Library at the University of Cape Town in April 2021.

Listen and Read:

Audio: Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

Transcript: 7.5 Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW) – Novel Dialogue

Can a novel with a singular voice also be a chorus? Can it reject the conventions of the novel and still be a novel? Poet, essayist, and novelist Billy-Ray Belcourt tells critic Matt Hooley how his desire to write a novel that “would sound like something else,” led him to produce A Minor Chorus, his experimental debut novel. Together they consider how Billy-Ray’s vulnerable, first-person narrator makes room for other voices, or more precisely, how it becomes “a voice that could focalize the desires of a community.” Billy-Ray discusses how his influences— queer theory, indigenous novelists, and contemporary autofiction—harmonize in his search for a new form. While author and critic trace the circuits of grief and melancholy that run from Roland Barthes to Billy-Ray, their conversation is joyful, reminding listeners that romance and intimacy sustain us and that beautiful sentences matter. His answer to this season’s signature question attests to the way that even the classroom can be refashioned, like the novel, into a chorus. Mentioned in this episode By Billy-Ray Belcourt: A Minor Chorus A History of My Brief Body This Wound is a World Also mentioned: The Summer Day “Arundhati Roy Sees Delhi as a Novel” Rachel Cusk, The Shakespeare and Company Interview “The State of the Political Novel: An Interview with Édouard Louis” “100 Things About Writing a Novel” Mourning Diary Ann Cvetkovich Joshua Whitehead Mourning and Melancholia Learn more about your ad choices. Visit megaphone.fm/adchoices

1. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW) 43:57
2. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP) 46:37
3. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí 47:03
4. 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW) 48:58
5. 9.4 “That In Between Time,” Fernanda Trías and Heather Cleary (MAT) 52:05

Image credit: GUNSLINGER ’88 ROLAND by Michael Whelan