7.5 Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

Building parallels between technology and the human imagination, Masande Ntshanga’s conversation with Magalí Armillas-Tiseyra explains how cities are like machines and how South African history resembles some of the most sinister versions of techno-futurism. Masande is the author of two novels: The Reactive, winner of a Betty Trask Award in 2018, and Triangulum, nominated for the 2020 Nommo Awards for Best Novel in 2020 by the African Speculative Fiction Society. His responses to Magalí’s questions interweave autobiography and history, showing how when you venture into “underwritten spaces” in South Africa, realism starts to seem like speculation. Masande moves from playing bootleg Nintendo and hacking Lego sets in Ciskei, a “homeland” under the apartheid government’s Bantustan system, to data mining and novel writing in the global cities of Cape Town and Johannesburg. All the while, technology is never something “we’re resigned to experiencing” and “endorsing” in fiction—it can be a medium of contemplation as well as conquest. Masande and Magalí are also interested in the queer intimacies of young people busy forming their own “micro-tribes.” Especially young people who are reading the global phenomenon that is Stephen King by moonlight, when they might be just a little too young for it.

Masande Ntshanga, The Reactive, Triangulum, and the short story “Space”
Samuel R. Delany, Equinox
“Hauntology,” from Jacques Derrida in Spectres of Marx
Ciskei
Masande Ntshanga’s essay “Technologies of Conquest” in The Creative Arts: On Practice, Making, and Meaning (Dryad Press, 2024)
Stephen King, The Dark Tower I: The Gunslinger
Bonus mention: Lost Libraries, Burnt Archives, an edited volume of short stories, artworks, poems and essays that engage with the tragic destruction of the African Studies Library at the University of Cape Town in April 2021.

Audio: Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

Transcript: 7.5 Machine, System, Code: Masande Ntshanga and Magalí Armillas-Tiseyra (EH)

11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem – Novel Dialogue

Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform).  We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.MentionsMarx – base-superstructure modelBruno Latour – actor-network theorySophie Bishop – Influencer CreepAndrew de Waard –  Derivative MediaPierre Bourdieu – The Rules of Art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  2. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  3. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  4. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  5. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)

Image credit: GUNSLINGER ’88 ROLAND by Michael Whelan

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