Although Katie Kitamura feels free when she writes—free from the “soup of everyday life,” from the political realities that weigh upon her, and even at times from the limits of her own thinking—she is keenly aware of the unfreedoms her novels explore. Katie, author of the award-winning Intimacies (2021), talks with critic Alexander Manshel about the darker corners of the human psyche and the inescapable contours of history that shape her fiction. Alexander and Katie explore how she brings these tensions to “the space of interpretation, where the book exists” and places trust in her readers to dwell there thoughtfully. They also discuss the influence of absent men (including Henry James), love triangles, love stories, long books, and titles (hint: someone close to Katie says all her novels could be called Complicity). Stay tuned for Katie’s answer to the signature question, which takes listeners from to the farmlands of Avonlea to the mean streets of Chicago.
Mentioned in this Episode:
By Katie Kitamura:
Intimacies
A Separation
Gone to the Forest
Japanese for Travelers
The Longshot
Also mentioned:
Flannery O’Connor, “Revelation”
Henry James, Portrait of a Lady
Garth Greenwell, What Belongs to You
Elena Ferrante, The Neapolitan Novels
Elsa Morante, Lies and Sorcery
Lucy Maud Montgomery, Anne of Green Gables
John Steinbeck, East of Eden
Theodore Dreiser, An American Tragedy
Listen and Read:
Audio: You Write Because You Want to Feel Free: Katie Kitamura and Alexander Manshel (SW)
Transcript: 7.2 You Write Because You Want to Feel Free: Katie Kitamura and Alexander Manshel (SW)
We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí – Novel Dialogue
- We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí
- 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)
- 9.4 “That In Between Time,” Fernanda Trías and Heather Cleary (MAT)
- 9.3 Planetary Boundaries are Non-Negotiable: Kim Stanley Robinson and Elizabeth Carolyn Miller (JP)
- 9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper
