7.1 Etherized: Anne Enright in Conversation with Paige Reynolds (JP)

Anne Enright, writer, critic, Booker winner, kindly makes time for Irish literature maven Paige Reynolds and ND host John Plotz. She reads from The Wren, The Wren and discusses the “etherized” state of our inner lives as they circulate on social media. Anne says we don’t yet know if the web has become a space of exposure or of authority, but that the state of diffusion we all exist in is “pixilated”–though perhaps we can take comfort from the fact that “Jeff Bezos…is not as interested in your period as you might think.”

Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also gently corrects one reviewer: her characters aren’t working class, they’re “just Irish.” Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want–while simultaneously “mortifying them…condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.”

Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to the signature question: A. A. Milne’s Now We Are Six.

By Anne Enright:

The Gathering (2007; Booker Prize)
The Forgotten Waltz (2011)
The Green Road (2015)
The Portable Virgin
Taking Pictures
Yesterday’s Weather
Granta Book of the Irish Short Story
Making Babies: Stumbling into Motherhood
No Authority

Also mentioned:
Patricia Lockwood, No One is Talking about This
Sally Rooney on the social life of the young on the internet, e.g. Conversations with Friends
Christopher Hitchens, “Booze and Fags:”

Audio: Etherized: Anne Enright in Conversation with Paige Reynolds

Transcript: 7.1 Etherized: Anne Enright in Conversation with Paige Reynolds

10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT) Novel Dialogue

“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event. As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan’s choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan’s frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked. Mentioned in this episode: About Baghdad The Baghdad Eucharist Mahmoud Darwish, In the Presence of Absence Darwish’s “Memory for Forgetfulness” (on nisyān) The Book of Collateral Damage Elias Khoury and the use of dialect in contemporary Arabic fiction Quebecois literature Breaking Bad Um Kulthoum Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  2. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  3. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  4. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  5. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)

Published by plotznik

I teach English (mainly the novel and Victorian literature) at Brandeis University, and live in Brookline.