6.1 Desolation Tries to Colonize You: Jeff VanderMeer and Alison Sperling (CH)

Our season of the weird starts off with a conversation between the writer The New Yorker called “the weird Thoreau”, Jeff VanderMeer, and a scholar of the modernist weird, Alison Sperling (FSU). With ND host Chris Holmes, Jeff and Alison delve into how the ugly politics of Lovecraft’s “old” weird gives rise to the stylistic panoply of the New Weird movement. Jeff discusses the ways in which nature writing’s sublime and ecstatic moments are their own category of the weird. The three consider ways to represent unrepresentable species, the limits of human intelligence in perceiving animal intelligence, the nonhuman narrative perspective, and the infinite weirdness of government bureaucracy. Along the way, Alison and Jeff dig into the “Florida man” trope and investigate Jeff’s attempts to outwit Florida zoning to re-wild his backyard with native plants. And if you harbor any suspicions about the temperaments of penguin researchers, you won’t want to miss Jeff’s answer to this season’s signature question.

China Miéville
Clive Barker
H.P. Lovecraft
–The Case of Charles Dexter Ward
Annihilation
Dead Astronauts
Sunshine State Biodiversity Group
Rachel Carson

Audio: Desolation Tries to Colonize You

Transcript: 6.1 Desolation Tries to Colonize You

11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem – Novel Dialogue

Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform).  We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.MentionsMarx – base-superstructure modelBruno Latour – actor-network theorySophie Bishop – Influencer CreepAndrew de Waard –  Derivative MediaPierre Bourdieu – The Rules of Art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  2. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  3. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  4. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  5. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)