9.6 We Better Laugh About It: Álvaro Enrigue and Maia Gil’Adí

Álvaro Enrigue and critic Maia Gil’Adí begin their conversation considering translation as a living process, one that is internal to the novel form. Álvaro, author of the trippy You Dreamed of Empires, explains how the opening letter to his translator Natasha mirrors the letter to his editor, Teresa, in Spanish, and how both letters become part of the fiction. Fitting for a novel that crosses Nahua and Mayan, Moctezuma and Cortés, Mexican history and the glam rock band T. Rex. The English translation—which Álvaro calls the book of Natasha—is longer, filled with changes and additions and revisions, and so translation becomes “another life for the book.” From the living book to its contents, Maia asks how You Dreamed of Empires blends the gorgeous and the grotesque, slapstick humor and extreme violence, historical detail and mischievous metafictional departures. Álvaro links his work to Season 9’s theme of TECH by pointing out the novel’s longstanding use as a tool to laugh about the powerful, to tell them that what they’re saying is not true, and to articulate politics through contradiction and humor. After discussing the encounter of Moctezuma and Cortés (or really, of their translators, including a very magical bite of cactus) as the moment that changes everything in history, Álvaro makes a surprising historical swerve in his answer to this season’s signature question.

Álvaro Enrigue, Sudden Death, You Dreamed of Empires, Now I Surrender
Nahua
Natasha Wimmer
Teresa Ariño, Anagrama
Sergio Pitol, Enrique Vila-Matas, Javier Marías, Roberto Bolaño
Miguel de Cervantes, Don Quixote; Laurence Sterne; Jonathan Swift, Gulliver’s Travels
Octavio Paz saying New Spain was a kingdom in One Earth, Four or Five Worlds: Reflections on Contemporary History, translated by Helen R. Lane.
Edward Said
Lèse-majesté
T. Rex, “Monolith
Gonzalo Guerrero
The Colegio de Santa Cruz de Tlatelolco
José Emilio Pacheco
Michel Foucault
Michelangelo
Saint Paul, Epistle to the Romans
Noam Chomsky
Tlaxcalas

Audio: We Better Laugh About It: Álvaro Enrigue and Maia Gil’Adí

Transcript: 9.6 We Better Laugh About It: Álvaro Enrigue and Maia Gil’Adí

10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH) Novel Dialogue

Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to real things, the more fictional it becomes.” How to describe such a complicated novel? Sarah offers this gem: “It’s as if Philip Roth were less cancellable and wrote a murder mystery,” a line that results in a poignant conversation about what it means to be Jewish and socially striving in Chicago in middle of the 20th century and what it means to be a cultural outsider, “just slightly outside of the circle.” Peter brings the conversation to a close with a memory of going to the University of Tish.Mentions: Reverend Hightower appears in William Faulkner’s Light in August Irv “Kup” and Essie Kupcinet were Karyn “Cookie” Kupcinet’s parents An Edna O’Brien story appears in Andre Dubus’s Dancing After Hours Malcolm Lowry’s Under the Volcano Phyllis Diller at the Palmer House Bette Howland’s line about Chicago being “the raw materials for a city” appears in Blue in Chicago Alberto Paniagua Philip Roth Tish O’Dowd Ezekiel’s Floaters Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  2. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  3. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  4. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí
  5. 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)

Dewey, Amanda. Cover design. You Dreamed of Empires, Álvaro Enrigue, Riverhead Books, 2024. Front cover.

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