3.6 Why are you in bed? Why are you drinking? Colm Tóibín and Joseph Rezek in conversation (TM)

Colm Tóibín, the new laureate for Irish fiction, talks to Joseph Rezek of Boston University, and guest host Tara K. Menon of Harvard. The conversation begins with Colm’s latest novel The Magician, about the life of Thomas Mann, and whether we can or should think of novelists as magicians and then moves swiftly from one big question to the next. What are the limitations of the novel as a genre? Would Colm ever be interested in a writing a novel about an openly gay novelist? Why and how does death figure in Colm’s fiction? Each of Colm’s revealing, often deeply personal answers illuminates how both novels and novelists work. As Thoman Mann wrote of the “grubby business” of writing novels, Colm reminds us of the “day to day dullness of novel writing.” Insight and inspiration only arrive, he warns, after long, hard days of work.

Mentioned in this Episode:

Robinson Crusoe (1719), Daniel Defoe
Pride and Prejudice (1813), Jane Austen
The Portrait of a Lady (1881), Henry James
The Wings of the Dove(1902), Henry James
The Ambassadors (1903), Henry James
The Golden Bowl(1904), Henry James
The Blackwater Lightship(1999), Colm Tóibín
The Master (2004), Colm Tóibín
Brooklyn(2009), Colm Tóibín
The Testament of Mary(2012), Colm Tóibín
Nora Webster(2015), Colm Tóibín
The Magician(2021), Colm Tóibín

Listen and Read:

Audio: Why are you in bed? Why are you drinking?

Transcript: 3.6 Why are you in bed? Why are you drinking?

10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT) Novel Dialogue

How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer’s relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan’s choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan’s training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer’s notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can’t Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  2. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  3. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  4. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  5. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí

Photo by Sandra Tenschert on Unsplash

Published by plotznik

I teach English (mainly the novel and Victorian literature) at Brandeis University, and live in Brookline.