3.1 On Being Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng (SW)

Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton.

The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’s fictions. He discusses his relationship to his own work and the benefits of taking an “orbital view” on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have… one that Anne already possesses!

Mentioned in this Episode

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Audio: On Becoming Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng

Transcript: 3.1 On Becoming Unmoored

11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB) – Novel Dialogue

In this episode, novelist Imbolo Mbue and critic Sarah Dimick dive into the literary ecosystem from an author’s perspective. Imbolo recalls her formative experiences in public libraries when she first emigrated from Cameroon to the United States, and how her encounters with American literature, especially Oprah’s Book Club picks, shaped her sense of literary possibility. Imbolo’s first novel, Behold the Dreamers, was itself an Oprah’s Book Club selection. In a conversation that moves across Imbolo’s career, from Behold the Dreamers to How Beautiful We Were to the newly released Every Story Is a Love Story, Imbolo and Sarah probe multiple dimensions of the literary ecosystem. They take up networks of literary production: how Imbolo writes both with and against readers’ expectations and desires; how her reading shapes her writing, particularly the memoirs of forgiveness (or the lack thereof) that informed Every Story Is a Love Story; the editorial pressures against which she has been glad to stand her ground, and the ones that have shaped her work for (in her assessment) the better, including a critical intervention from Random House’s Andy Ward that moved Every Story is a Love Story away from punishment and toward the urgent if unsexy problem of forgiveness. They also address what Sarah suggests is another unity across Imbolo’s fiction, in addition to a formal and thematic interest in aftermath: namely, the energy infrastructures—oil, transit, cars—that allow characters to move forward through the world even as they enact extractive harm. Mentions:Oprah's Book ClubNgũgĩ wa Thiong'oChinua AchebeToni MorrisonJonathan FranzenJunot DíazSalman Rushdie's Knife: Meditations After an Attempted MurderMichelle Obama's BecomingYiyun Li's Things in Nature Merely GrowRoxane Gay, "Why I Can’t Forgive Dylann Roof"Random House's Andy WardVerdi’s AidaArundhati Roy's Mother Mary Comes to Me Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB)
  2. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  3. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  4. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  5. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)

Image credit: Anne Anlin Cheng, Roots