3.1 On Being Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng (SW)

Season three of Novel Dialogue launches in partnership with Public Books and introduces some fresh new voices into the mix. John and Aarthi welcome Chris Holmes, Emily Hyde, Tara Menon, and Sarah Wasserman into the ND pod as guest hosts. And have they brought a series of scintillating conversations with them! In our series premiere, Sarah sits down with acclaimed novelist Chang-rae Lee and Anne Anlin Cheng, renowned scholar of American literature and visual culture at Princeton.

The conversation goes small and goes big: from the shortest short story to the totalizing effects of capitalism. Chang-rae is no stranger to such shifting scales: his novels sweep through large stretches of time and space, but their attention to detail and meticulous prose makes for an intimate reading experience. Chang-rae’s latest novel, My Year Abroad, fuels a discussion about how we can form meaningful bonds in current conditions (hint: it’s often around a table) and about the specters of other, better worlds that haunt Chang-rae’s fictions. He discusses his relationship to his own work and the benefits of taking an “orbital view” on his writing. Chang-rae also offers a tantalizing glimpse into his current project, a semi-autobiographical novel about Korean-American immigrants in 1970s New York. In response to a brand new signature question for the podcast this season, Chang-rae reveals the talent he wishes he could suddenly have… one that Anne already possesses!

Mentioned in this Episode

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Audio: On Becoming Unmoored: Chang-rae Lee Charts Fiction with Anne Anlin Cheng

Transcript: 3.1 On Becoming Unmoored

10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH) Novel Dialogue

Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to real things, the more fictional it becomes.” How to describe such a complicated novel? Sarah offers this gem: “It’s as if Philip Roth were less cancellable and wrote a murder mystery,” a line that results in a poignant conversation about what it means to be Jewish and socially striving in Chicago in middle of the 20th century and what it means to be a cultural outsider, “just slightly outside of the circle.” Peter brings the conversation to a close with a memory of going to the University of Tish.Mentions: Reverend Hightower appears in William Faulkner’s Light in August Irv “Kup” and Essie Kupcinet were Karyn “Cookie” Kupcinet’s parents An Edna O’Brien story appears in Andre Dubus’s Dancing After Hours Malcolm Lowry’s Under the Volcano Phyllis Diller at the Palmer House Bette Howland’s line about Chicago being “the raw materials for a city” appears in Blue in Chicago Alberto Paniagua Philip Roth Tish O’Dowd Ezekiel’s Floaters Learn more about your ad choices. Visit megaphone.fm/adchoices
  1. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
  2. 10.2 Beautiful Sentences Matter. Billy-Ray Belcourt and Matt Hooley (SW)
  3. 10.1 "Extreme Circumstances, Extreme Reactions:” Aaron Gwyn and Sean McCann (JP)
  4. We Better Laugh About It: A Discussion with Álvaro Enrigue and Maia Gil’Adí
  5. 9.5 Who Owns These Tools? Vauhini Vara and Aarthi Vadde (SW)

Image credit: Anne Anlin Cheng, Roots