2.7 The Novel of Revolutionary Ideas: Viet Thanh Nguyen and Colleen Lye (AV)

Viet Thanh Nguyen, author of the Pulitzer Prize winning The Sympathizer and its sequel The Committed, joins esteemed scholar Colleen Lye of UC-Berkeley for a candid discussion about the Asian-American novel and the role of literature and theory in radical social movements. Colleen is drawn to the mix of philosophy and suspense in Viet’s work and wonders if he considers himself a member of the theory generation–that is, writers for whom literary theory is not just a way of reading texts but an impetus to create new literary forms for grappling with ideas. Viet, schooled in deconstruction and postcolonial theory, accepts the designation with a caveat: If he is a novelist of ideas, then he is a novelist of revolutionary ideas. Inspired by Fanon’s anticolonialism and Gayatri Spivak’s concept of the double bind, Viet’s defiantly politicizing aesthetic looks to place the colonial subject, particularly the Vietnamese refugee, at the center of multiple stories of American and French imperialism.

Colleen and Viet reflect on the role of academic training in Viet’s transformation from Asian-Americanist scholar into Asian-American novelist and discuss the peculiarities of immigrant Asian identity in terms of language. Mother tongues, bilingualism, orphaned language, and adopted language all become metaphors for how Asian-American writers must balance the loss of heritage and weight of expectation with the call to self-invention. Plus, Viet reveals the not-so-wholesome treats that enabled him to complete The Sympathizer!

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Audio: The Novel of Revolutionary Ideas: Viet Thanh Nguyen and Colleen Lye

11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB) – Novel Dialogue

In this episode, novelist Imbolo Mbue and critic Sarah Dimick dive into the literary ecosystem from an author’s perspective. Imbolo recalls her formative experiences in public libraries when she first emigrated from Cameroon to the United States, and how her encounters with American literature, especially Oprah’s Book Club picks, shaped her sense of literary possibility. Imbolo’s first novel, Behold the Dreamers, was itself an Oprah’s Book Club selection. In a conversation that moves across Imbolo’s career, from Behold the Dreamers to How Beautiful We Were to the newly released Every Story Is a Love Story, Imbolo and Sarah probe multiple dimensions of the literary ecosystem. They take up networks of literary production: how Imbolo writes both with and against readers’ expectations and desires; how her reading shapes her writing, particularly the memoirs of forgiveness (or the lack thereof) that informed Every Story Is a Love Story; the editorial pressures against which she has been glad to stand her ground, and the ones that have shaped her work for (in her assessment) the better, including a critical intervention from Random House’s Andy Ward that moved Every Story is a Love Story away from punishment and toward the urgent if unsexy problem of forgiveness. They also address what Sarah suggests is another unity across Imbolo’s fiction, in addition to a formal and thematic interest in aftermath: namely, the energy infrastructures—oil, transit, cars—that allow characters to move forward through the world even as they enact extractive harm. Mentions:Oprah's Book ClubNgũgĩ wa Thiong'oChinua AchebeToni MorrisonJonathan FranzenJunot DíazSalman Rushdie's Knife: Meditations After an Attempted MurderMichelle Obama's BecomingYiyun Li's Things in Nature Merely GrowRoxane Gay, "Why I Can’t Forgive Dylann Roof"Random House's Andy WardVerdi’s AidaArundhati Roy's Mother Mary Comes to Me Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.3 “Thank god for editors”: Imbolo Mbue and Sarah Dimick (RB)
  2. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  3. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  4. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  5. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)

image credit: wikipedia

Published by aarthivadde

Associate Professor of English - Duke University

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