2.6 Dreaming or Thinking: Cristina Rivera Garza with Kate Marshall and Dominique Vargas (AV)

ND stages a trialogue this week with MacArthur “Genius” Cristina Rivera Garza and Notre Dame critics Kate Marshall and Dominique Vargas.  Professor Rivera Garza recalls roadtripping through Mexico in a bochito (a Volkswagen). For her, such drives became the mother of literary invention: there was no car radio and when family conversations died down, the window (and not an iPhone) became the screen that occupied her. In a more serious vein, CRG, Kate, and Dominique also discuss the role of linguistic mobility and translation in bringing Rivera Garza’s novels and essays to English-speaking audiences. CRG reflects on how books change when they cross languages and reminds us that the United States is the second largest Spanish-speaking country in the world. This episode productively estranges us from a number of received narratives about national monolingualism and experimental writing.  Professor Rivera Garza rejects the notion of aesthetic individualism and the idealized image of the solitary writer. She declares that language always has plural roots and her work is underpinned by the belief that we only become individuals when community fails.

Mentioned in the Episode

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Audio: Dreaming or Thinking: Cristina Rivera Garza with Kate Marshall and Dominique Vargas

11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem – Novel Dialogue

Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception.From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform).  We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.MentionsMarx – base-superstructure modelBruno Latour – actor-network theorySophie Bishop – Influencer CreepAndrew de Waard –  Derivative MediaPierre Bourdieu – The Rules of Art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
  1. 11.2 Taking Apart a Metaphor: Dan Sinykin and Sarah Brouillette on the Literary Ecosystem
  2. 11.1 Indie Presses and the Literary Ecosystem: Meg Reid and Will Evans
  3. 10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
  4. 10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
  5. 10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)

image credit: wikimedia commons

Published by aarthivadde

Associate Professor of English - Duke University

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